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MYTHS AND THE NKALAHA WORLD - Onyeji Nnaji

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Various symbolic narratives - usually of unknown origin and at times partly traditional - that ostensibly relate actual events and that which is especially associated with religious belief are prominent in Nkalaha history. These symbolic narratives are however distinguished from some symbolic behaviour or practices typified by cult activities, ritual processes and symbolic places or objects, such as temples or icons. These might be represented by specific accounts of gods or the acts of some superhuman beings involved in extraordinary events or circumstances in a time that is unspecified but which is understood as existing apart from ordinary human experience. Prominent among these is seen in the life of Onojah who was challenged by a human-bird and he conquered it (Nnaji 2003). The concept mythology therefore, denotes both the study of myth and the body of myths belonging to a particular religious tradition. As was the case with all religious belief, there are several ways and ob

The Meaning of "5" in the Igbo Cosmology - Onyeji Nnaji

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Copied from: Cosmic Chain by Onyeji Nnaji I n the Igbo cosmology, the word Isee is a definite symbolic word as revealed through the Igbo language and culture. A human being has five fingers, five toes. The hands and feet are fundamentals to the survival in life as they are necessary in ensuring that man moves to places where he gets food and grapples on the food to sustain his life. To this view, the rhetoric that binds vocatives in the form of incantation (anchoring on the heart-lock: four ) and the concomitant reprisal in the manner of affirmation that holds the human life bind to his original spiritual person, therefore defining existence and essences are unified by the corresponding echo: Isee!!!!!  Therefore it stands that anytime a prayer is said in the Igbo land, the attendants who would want the fulfillment of the prayer unanimously affirmed the prayer by saying Isee! Five then becomes the language of the spirit, the language of the creator that indicates agreement to, no

IGBO GEOMETRY - Onyeji Nnaji

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The Mystery of Number, “Three.” in the Igbo Cosmology. From: Aspects of the Ancient African Metaphysics; Chapter: Seven; Topic: Igbo Geometries and the Metaphysics of Numbers. Author: Onyeji Nnaji. As I have noted earlier in this chapter, the figure four holds a great significance in the mythical imperative of the Igbo people. First, it stands for the four market days of the Igbo settlement. Four market days: Oye, Afor, Nkwọ and Eke mark the completion of the Igbo market week called Izu. The same forms the Igbo pillar of existence with empirical concept drawn from the creation myths. It embodies the concept of life and existence in the Igbo cosmology. Wikipedia has the following record about this view,   Igbo cosmology presents a balance between the feminine and masculine, perhaps, with a preponderance of female representation in Igbo lore. In Igbo cosmology, the world was divided into four corners by the high god corresponding to èké órìè àfọ̀ ǹkwọ́ which ar